L'Automne a Pekin, ou la transmedialite mise en scene

- Rolls, Alistair, Sitbon, Clara, Hamilton, Emma L.

"Seeing What the Hunger is": Current Criticism on Australian Poetry

- Kissane, Andy, Musgrave, David, Rickett, Carolyn

The critical construction of realistic Southern Gothic in the American literary canon

- Borwein, Naomi Simone

Detective fiction and the critical-creative nexus

- Gulddal, Jesper, Rolls, Alistair

Eatdirtzian geosophy: approaching ethical reading practices

- Joel, Emma Maree

Frameworks of freedom and fear: authorizing the voice in women's travel writing

- Johnson, Patricia Claudette

Part I: The poetry of Boris Vian

- Freij, Maria

Determining a strategy for the translation of Boris Vian's short stories

- Hodges, Peter

Part II: the short stories of Boris Vian

- Hodges, Peter

Social ostracism in Wharton’s fiction

- Saministrado, Maria Luisa

Female victimhood and suicide in the naturalistic novel

- Saministrado, Maria Luisa

The Artistry of the text: Hermann Gunkel and newer literary approaches to the Bible

- Boer, Roland

Faraway, so close? The under-explored relationship between film studies and literary studies

- Boyd, David

A level playing field?: metacommentary and Marxism

- Boer, Roland

Silk or nylon: Boris Vian, leg fetishism and the American way

- Rolls, Alistair

Uprooting the chestnut tree: Nausea today

- Rolls, Alistair, Rechniewski, Elizabeth

Forming feminism: structure and ideology in Charades and 'The Djinn in the Nightingale's Eye'

- Webb, Caroline